I definitely prefer Tonal Balance Control 2 and I also use audiolens when listening to music casually so I am use to how izotope creates its curves and understand how it works. Basically... the more deviation you have from your lows and highs (dynamics), there more the curve will be thicker and the less dynamics the thinner the curve will become. The best thing to do with tonal balance control is to just snippet a loud part of a song and get the analyzer to import that you will get a more accurate curve when comparing choruses and then the quiet sections will be in the ball park.
Another trick is to use a matchEQ on the master bus to a reference track, see which areas the frequencies need to boost and then go back to your mix and adjust those frequencies. I use to EQ match the master bus but I dont do that anymore I just go back to the mix and make it perfect. Also, the more perfect the mix is the more you can boost it and squeeze as much LUFS as possible with it
Another trick is to use a matchEQ on the master bus to a reference track, see which areas the frequencies need to boost and then go back to your mix and adjust those frequencies. I use to EQ match the master bus but I dont do that anymore I just go back to the mix and make it perfect. Also, the more perfect the mix is the more you can boost it and squeeze as much LUFS as possible with it
Statistics: Posted by xerix — Mon Jul 15, 2024 10:17 am