Typical usage :
You’re layering a sub kick with a top kick.
But you can never really find the exact cut frequency between them.
There’s always something missing. That "thumb" you loved, or that "poom" you wanted more than all. Something gets wrong, no matter what you do, phase inversion, more eqs...
Then try an all-pass, that "zap" (when pushed to extreme) sound !
You now have millions of new possibilities to layer it right. Just find the right frequency and you have 99,99999% chance to get your thumb and poom back simply when the settings are right. There are even more chances that you get a better result than you thought if you keep on trying different settings.
Of courses, this is also appliable to that bassline that keeps on muddering your low synth at specific notes no matter what you do. An all-pass pass filter will do the trick, and at the right settings nobody will ever notice.
You’re layering a sub kick with a top kick.
But you can never really find the exact cut frequency between them.
There’s always something missing. That "thumb" you loved, or that "poom" you wanted more than all. Something gets wrong, no matter what you do, phase inversion, more eqs...
Then try an all-pass, that "zap" (when pushed to extreme) sound !
You now have millions of new possibilities to layer it right. Just find the right frequency and you have 99,99999% chance to get your thumb and poom back simply when the settings are right. There are even more chances that you get a better result than you thought if you keep on trying different settings.
Of courses, this is also appliable to that bassline that keeps on muddering your low synth at specific notes no matter what you do. An all-pass pass filter will do the trick, and at the right settings nobody will ever notice.
Statistics: Posted by DJErmac — Wed Aug 28, 2024 9:44 pm